Doechii, a rising star in the music industry, recently sparked controversy during a live show when she identified straight men as her “biggest red flags” in dating. This statement has ignited a flurry of reactions online, particularly among fans and critics alike. Akademiks, a prominent commentator in hip-hop culture, weighed in on the issue, discussing the implications of her remarks and the broader context of the current state of hip-hop.
Doechii, who has made significant strides in her career this year—including winning a Grammy and being named Billboard Woman of the Year for 2025—has faced skepticism from some quarters. Critics have suggested that her rapid ascent may be due to an orchestrated push from the industry, questioning her authenticity as an artist. Despite this, Akademiks emphasized that Doechii does have a genuine fan base and that the perception of her being an “industry plant” stems from the feeling among some fans that they did not “vote” for her as the next big thing.
The uproar from her comments about straight men reflects a growing discourse surrounding masculinity and its representation in today’s society. Akademiks noted that Doechii’s remarks echo a broader narrative in contemporary feminism, which often critiques traditional masculinity. While some interpreted her comments as promoting a “woke” agenda, others viewed them as a reflection of the frustrations many feel regarding dating dynamics in the modern era.
As Akademiks critiqued the current phase of hip-hop, labeling it the “woke era,” he expressed a desire for a return to more traditional themes within the genre. He argued that today’s hip-hop often feels inundated with discussions around morality and social justice, diverting from the raw energy that once characterized the culture. He called for a new generation of artists to emerge, bringing fresh perspectives and creativity to the forefront.
With Doechii’s rise and the ongoing debates about masculinity and artistry in hip-hop, it remains to be seen how these conversations will evolve and shape the landscape of music in the coming years.
