Tyler Perry Calls Out Music Industry Failures at Angie Stone’s Memorial

In a heartfelt memorial service held on March 14 at Word of Faith Cathedral in Austell, Georgia, acclaimed filmmaker Tyler Perry delivered a passionate tribute to the late singer Angie Stone. Stone, a Grammy-nominated artist, tragically passed away in a car accident on March 1 at the age of 63 after performing in Mobile, Alabama. The service, attended by family, friends, and notable figures like Kirk Franklin, was filled to capacity as attendees celebrated Stone’s legacy.

During the emotional ceremony, Perry did not shy away from addressing the challenges Stone faced throughout her career, particularly regarding the financial exploitation of artists in the music industry. “Y’all got to forgive me because I’m angry at the way she was treated,” Perry expressed, highlighting his frustration over the millions Stone claimed she was owed in royalties from record labels. His remarks resonated with many, as he questioned where the proceeds from her decades-long career had vanished.

Perry’s reflections on Stone’s music, especially her song “No More Rain,” drew parallels between her artistic expression and her personal struggles. He emphasized the need for greater accountability within the industry, stating, “It’s wrong… I’m tired of seeing a struggle and work hard and not reap the benefits of what we were supposed to reap.”

The service featured stirring musical tributes from artists like Q Parker of 112 and Anthony Hamilton, who honored Stone’s legacy through gospel performances. Perry’s poignant critique sparked a conversation about the treatment of Black artists, with attendees echoing his call for justice and advocacy in the industry.

As loved ones mourned her untimely passing, Perry’s words served as a powerful reminder of the need for change, urging those present to carry forward Stone’s legacy of kindness and resilience while demanding accountability. The memorial not only celebrated Stone’s life and contributions but also ignited a discussion on the pressing issues of artist exploitation within the music world.