At the “Suicide Squad” premiere in 2016, Margot Robbie wore a black maxi gown with long sleeves and a gold unicorn on it.
Margot Robbie at the “Suicide Squad” premiere at The Beacon Theatre in New York City. James Devaney/WireImage
Margot Robbie attended the “Suicide Squad” premiere in a sequined black-and-gold Alexander McQueen column gown, which was featured in the brand’s fall 2016 collection, according to Vogue.
The unique McQueen design has a high neck and sheer sleeves, with an embroidered unicorn stretching from the left side.
The magazine reported that the striking dress was styled by Kate Young, Robbie’s resident stylist, who added a simple clutch bag to the look. The 32-year-old actress wore deep-red lipstick and her hair loosely tied back.
Margot Robbie attended the Governors Awards in 2017 wearing a black velvet dress with floral embroidery and a pink shrug.
Margot Robbie at the Academy Of Motion Picture Arts And Sciences’ 9th Annual Governors Awards in 2017. Steve Granitz/WireImage
In a look once again styled by Young, according to a post shared on the stylist’s Instagram page in November 2017, Robbie attended the 2017 Academy Of Motion Picture Arts And Sciences’ 9th Annual Governors Awards in an Altuzarra and Prada look.
The black V-neck Altuzarra dress had pastel-pink flowers and champagne-colored wheat embroidered on the sides of the gown. Robbie’s look was accessorized with a feathery pink Prada shrug, diamond studs, and simple silver bracelets, according to the Instagram post.
At the 2018 Vanity Fair Oscar Party, Robbie opted for a strappy embroidered nude dress with a sheer floor-length layer on top.
Margot Robbie attends the 2018 Vanity Fair Oscar Party. Taylor Hill/FilmMagic
Robbie enjoyed the 2018 Vanity Fair Oscar Party in a Chanel spring 2018 haute couture dress, according to Vogue Runway. The delicate design featured a nude minidress beneath a sheer strappy maxi dress, complete with silver and lime embroidery on the material.
Robbie’s look was completed by a tiny silver disco-ball bag, heels, and subtle makeup.
Margot Robbie attends the European premiere of “Mary Queen of Scots” in a spotty dress with a plunging neckline and rose embellishment.
Margot Robbie attends the European premiere of “Mary Queen of Scots” in London, England. Dave J Hogan/Getty Images
For the European premiere of “Mary Queen of Scots,” Robbie walked the red carpet in London while wearing a Rodarte gown, according to a post on Young’s Instagram account in December 2018.
The Rodarte design consisted of a white gown with a sheer spotty fabric that cascaded into a frilly hem. The pièce de résistance was a red-and-green rose in the center of the dress, which matched the red lipstick Robbie was wearing.
The actress wore a fish-inspired silver-and-black gown with a fishtail silhouette to match at the 2019 EE British Academy Film Awards.
Margot Robbie attends the 2019 EE British Academy Film Awards at Royal Albert Hall in London, England. Jeff Spicer/Getty Images
Once again opting for a Chanel haute couture design, according to Vogue, Robbie wore a silver, blue, and yellow sequined gown with navy and black tulle sleeves and a fishtail hem.
According to the publication, the daring dress consisted of 157,000 elements – such as gemstones, pearls, and sequins – and took 690 hours to create. Robbie, an ambassador for the French fashion house, wore her hair in a sophisticated up-do with blue eyeshadow and simple earrings that were also by Chanel, Vogue reported.
The magazine added that Robbie kept her jewelry minimal, wearing the brand’s Comète earrings and two rings.
In 2020, Robbie stunned in a black feather bralette with a satin maxi skirt and pink statement gloves for the world premiere of “Birds of Prey” in London.
Margot Robbie at the 2020 world premiere of ‘Birds of Prey’ in London. Tolga Akmen/AFP via Getty Images
According to a post on stylist Young’s Instagram account in January 2020, the Australian actress wore a Dries Van Noten ensemble to attend the 2020 premiere of “Birds of Prey” in London.
The striking red-carpet look consisted of an asymmetric black feather bralette that cascaded from one side of her torso to the other, a black satin maxi skirt, and bright pink elbow-length opera gloves.
Opting for a more minimal ensemble at “The Wolf of Wall Street” US premiere, Robbie wore a white asymmetric maxi gown with a black sequined panel.
Margot Robbie attends “The Wolf of Wall Street” US premiere at the Ziegfeld Theatre in New York City. Lars Niki/Corbis via Getty Images)
During one of her earlier red-carpet appearances, “The Wolf of Wall Street” US premiere in 2013, Robbie wore a simple white gown with one sleeve and a draped skirt that exposed a black sequin panel.
According to W Magazine, the Grecian look was a Giorgio Armani Privé design with gold-and-pearl spider earrings, and a diamond and gold full-finger ring, both by Jacob & Co.
She sparkled in another maxi dress at the 2016 Oscars, this time in a gold snakeskin material with a plunging neckline.
Margot Robbie attends the 2016 Annual Academy Awards in Hollywood, California. C Flanigan/FilmMagic
In a simple yet impactful long-sleeve maxi gown with a plunging neckline, made of gold snakeskin material, Robbie hit red-carpet glamour on the head at the 2016 Oscars.
According to a post by Young in April 2016, the dazzling gown was a Tom Ford design in a color that Ford hoped would make Robbie “look like ‘Lauren Bacall in the ’70s.'”
Young’s post adds that Robbie wore a yellow pear-shaped diamond solitaire from Forever Mark and a black custom clutch bag with a dramatic tassel to “add a little something naughty.”
Margot Robbie attended the 2020 EE British Academy Film Awards ceremony in an elegant peplum gown with a lace panel over her chest and shoulders.
Margot Robbie at the EE British Academy Film Awards ceremony at the Royal Albert Hall. WIktor Szymanowicz/NurPhoto via Getty Images
Robbie’s look for the 2020 EE British Academy Film Awards was a particularly timeless Chanel couture design, according to Young’s Instagram post in February 2020.
The structured black peplum maxi gown appeared to have three tiers with a lace chest and sleeve overlay.
Robbie wore her hair up with some loose strands, along with large diamond stud earrings and a black textured ring.
Robbie arrived on the red carpet for a 2018 Premiere of “I, Tonya” in a satin ivory-colored bridal gown.
Margot Robbie arrives at the 2018 Premiere of “I, Tonya” in Sydney, Australia. Brook Mitchell/Getty Images
Arriving on the red carpet ahead of the premiere of “I, Tonya” in Sydney, Australia, Robbie debuted a bridal look by Michael Lo Sordo, according to a post on the brand’s Instagram account in November 2018.
According to the brand’s post, the ivory satin gown with high straps and a plunging neckline was the Alexandra Maxi dress from “an exclusive capsule designed for the modern bride.” The look was styled by Young, who added a simple silver bracelet and let the dress speak for itself.
Continuing her love of long-sleeve dresses, Robbie attended a 2018 premiere wearing a midi dress with a white floral high-neck and sleeves, and a black sheer body.
Margot Robbie at the Premiere Of RLJE Films’ “Terminal” in 2018 in Hollywood, California. Steve Granitz/WireImage
Once again in Chanel, according to a post on Young’s Instagram in May 2018, Robbie attended the red carpet premiere of “Terminal” in an edgier look than her usual choices.
The Chanel midi dress consisted of long sleeves and a neckline formed of white floral lace atop a darker lining, while the remaining dress was in a sheer black material with silver sequin rings down the length.
Robbie had her hair tied up with loose strands on either side, and she held a simple black clutch bag while wearing barely-there black heels.
Putting a twist on her tried and tested long-sleeve maxi dress, Robbie attended a 2018 “I, Tonya” photocall in a black-and-white sequin dress with a side slit.
Margot Robbie in 2018 at the “I, Tonya” photocall at The Washington Mayfair Hotel in London, England. Ricky Vigil/GC Images
Robbie was dressed in Nicolas Ghesquière’s Louis Vuitton for an “I, Tonya” photocall, according to an Instagram post by Young in February 2018.
She wore her hair in a sleek bob as she arrived in a black-and-white sequined maxi dress with long sleeves and a thigh slit. The dress was formed of rectangular blocks with varying thicknesses and it seemed like a striking choice for Robbie, who usually opts for softer dresses.
At the 2018 Annual Academy Awards, Robbie walked the red carpet in a white gown that channeled old Hollywood glamour.
Actress Margot Robbie arrives for the 90th Annual Academy Awards in 2018. ALERIE MACON/AFP via Getty Images
For the 2018 Oscars ceremony, Robbie wore a floor-length sleeveless white Chanel gown with silver thread draped across her arms and chest, according to an Instagram post by Young in March 2018.
Robbie attended the event while nominated for best actress in a leading role for to her performance in “I, Tonya,” an award that ultimately went to Frances McDormand, according to the Oscars website.
Young styled Robbie’s sophisticated gown, which was reminiscent of old Hollywood glamour, with a silver chain bag and simple diamond stud earrings.
Robbie left behind safer colors in favor of a dramatic pleated lilac gown with a statement flower on the bodice to attend a screening of the 2019 film “Bombshell.”
Margot Robbie at a screening of “Bombshell” in 2019 in Westwood, California. Steve Granitz/WireImage
Young tends to style Robbie in muted colors such as white, black, and nude tones, but the actress appeared at a screening of “Bombshell” in a lilac gown that made a lasting impact.
According to a post shared on Young’s Instagram in December 2019, the dress was a Giambattista Valli design that consisted of off-the-shoulder straps with ruffle detailing, and a knee-high skirt with a bubble hem which then flowed to the floor.
The intricate design was complete with a waistband in the same material, and a pink-and-white flower in the center.
At the 2018 SAG Awards, Robbie opted for a pale-pink embroidered halterneck gown with a feather trim on the waist.
Margot Robbie attending the 2018 Screen Actors Guild Awards in Los Angeles, California. JEAN-BAPTISTE LACROIX/AFP via Getty Images
Attending the 2018 Screen Actors Guild Awards, Robbie wore a pale-pink gown by Miu Miu, according to Popsugar. The halterneck dress featured a feathered trim around her waist, subtle beading down the gown, and a short train.
Robbie completed the dramatic look with a silver clutch bag and Aquazzura heels, the publication added.
At the 2020 Oscars ceremony, Robbie wore a timeless, black satin maxi dress with a blue-and-gold brooch in the middle.
Margot Robbie arrives for the 92nd Oscars in Hollywood, California, in 2020. Robyn Beck / AFP via Getty Images
Robbie wore a navy-blue vintage Chanel couture dress with a sweetheart neckline, bowtie sleeves, and a layered hem, according to Young, who spoke to Vogue about the look.
The design consisted of a strapless chiffon bustier gown complete with a gold, blue, and pearl brooch. It also featured armbands with Chanel bows that had chiffon trails. While it’s not an off-the-shoulder look, according to Young, at certain angles it appears to be one.
Young told the publication: “We discovered this ’90s couture gown in Chanel’s archive back in December 2019. It’s very similar to the short dress that Claudia Schiffer wore on Karl Lagerfeld’s spring/summer 1994 couture runway, but it was made for a client, so it’s truly unique.”
Robbie attended the 2016 Costume Institute Benefit at The Metropolitan Museum of Art in a simple yet daring white dress with a back cutout and side slit.
Margot Robbie at the 2016 Costume Institute Benefit at The Metropolitan Museum of Art. TIMOTHY A. CLARY/AFP via Getty Images
At the 2016 Met Gala, Robbie for a seemingly simple white maxi dress with a side slit, but its side cutouts led to an almost-backless design. According to Vogue, who spoke with Young, the crisp design was by Calvin Klein Collection.
The stylist finished Robbie’s Met Gala look with gold wrist cuffs, simple gold heels, and a bean-shaped black clutch bag.
Young told Vogue that Robbie’s minimalist earlier red carpet style was a conscious decision. “She’s so extremely beautiful,” she said of Robbie. “Too much can detract from that. What I’m hoping to do is to really ᵴtriƥ it down so that she shines through, so that you really see the incredible beauty of this woman.”
