Which Country Artists Got Snubbed When the Grammys Handed Beyoncé the Award
Beyoncé’s Grammy win for Best Country Album with Cowboy Carter was historic, but at what cost? While the industry celebrated her as the first Black woman to win in this category, her victory came at the expense of country artists who have dedicated their careers to the genre—artists who, in any other year, would have had a fair shot at the trophy.
Instead, the Grammys handed country’s most significant award to a pop superstar who admitted, “This ain’t a country album.” And just like that, deserving country artists were pushed aside to manufacture a viral moment.
The Country Artists Who Should Have Won
The Best Country Album category featured nominees who actually represent the genre, yet Beyoncé’s win eclipsed their contributions. Here’s a look at the artists who were sidelined in the process.
Kacey Musgraves – Deeper Well
Kacey Musgraves is no stranger to Grammy gold. She’s won Best Country Album twice before, and her latest project, Deeper Well, was another critical darling. The album showcased introspective songwriting and lush production, staying true to the storytelling heart of country music.
Musgraves did win Best Country Song for “The Architect.” Still, many believed Deeper Well was the stronger overall album and should have also taken home Best Country Album.
Many interpreted her reaction when Beyoncé’s name was announced—caught on camera and quickly turned into a meme—as disappointment. And honestly, who could blame her?
Chris Stapleton – Higher
Chris Stapleton is one of country music’s most consistent powerhouses. His soulful voice and deep country roots have made him a Grammy favorite in past years, and Higher was another standout album. It blended blues, country, and rock with the authenticity that the genre prides itself on.
Stapleton took home Best Country Solo Performance for “It Takes a Woman,” but losing Best Country Album to an artist who openly rejected the genre label? That’s a tough pill to swallow.
Lainey Wilson – Whirlwind
Lainey Wilson is the kind of artist country music should rally behind. With a modern yet traditional sound, Wilson has become one of the genre’s fastest-rising stars. Her album Whirlwind was expected to be a serious contender, especially given her genuine love for country music and her ability to connect with fans.
Instead, the Grammys chose celebrity over substance, conveying that even the genre’s most promising new stars don’t stand a chance when a pop icon decides to “go country” for an album cycle.
Post Malone – F-1 Trillion
Post Malone’s F-1 Trillion inclusion in the country category was already a hot debate, but here’s the truth: his album was more country than Cowboy Carter.
A Win That Feels More Political Than Musical
Let’s call it what it is— Beyoncé’s Grammy win was about making a statement, not honoring country music.
No one is denying Beyoncé’s talent. No one is saying she can’t make great music. But Best Country Album is a category meant to celebrate the best in country music—not a pop album with country-adjacent elements designed for a news cycle.
Beyoncé’s victory wasn’t about her album being better than Chris Stapleton’s, Kacey Musgraves’, or Lainey Wilson’s. It was about the industry needing a viral moment, an opportunity to say, “Look how progressive we are!”
In the process, country artists who had spent their entire lives building this genre were pushed to the background.
Who This Win Actually Hurt
Beyoncé winning a country Grammy doesn’t help Black country artists—it hurts them.
If the Recording Academy genuinely wanted to support diversity in country music, they would be elevating artists like:
- Brittney Spencer – A rising country artist who has been grinding in Nashville but still struggles to get mainstream industry backing.
- Chapel Hart—This group went viral for its modern country sound but still can’t get the same industry push as a pop megastar like Beyoncé.
- Reyna Roberts – An artist who has been putting in the work in country music long before Cowboy Carter was even a concept.
Instead of genuinely investing in Black country artists, the industry took the easy way out—giving an established pop star a country award rather than elevating true country talent.
Beyoncé’s win for Best Country Album wasn’t just a loss for Chris Stapleton, Kacey Musgraves, Lainey Wilson, and Post Malone—it was a loss for country music.
It set a dangerous precedent: If you’re a massive pop star, you can walk into country music, take its most significant award, and leave.
Meanwhile, artists who have poured their blood, sweat, and tears into this genre for years? They have to step aside.
And that’s the real tragedy of the night.
